

Kitchen is definitely not the most ingeniously narrated tale ever. It tells us about how recurring personal tragedies shape and reshape our views on life and death, the kind of catharsis we wish for and the mechanisms we often end up resorting to, in order to keep our personal grief from spilling over into the realm of our everyday reality. Revolving around the theme of dealing with loss, Kitchen focuses on two young women as protagonists and their perceptions of life and death. Kitchen, by Banana Yoshimoto, is no exception to this cherished convention. Few other writers are capable of creating such exquisite surrealistic imagery as the Japanese writers. There's something deeply melancholic yet powerfully meaningful about the beautiful vignettes they beget.

A man walking along a river-bank on a misty April morning may appear to our senses as an ethereal being, barely human, on the path to deliverance and self-discovery. They have the unparalleled ability of transforming an extremely ordinary scene from our everyday mundane lives into something magical and other-worldly. There's something about Japanese writers. Each day she takes half an hour to write at her computer, and she says, "I tend to feel guilty because I write these stories almost for fun."

She keeps her personal life guarded, and reveals little about her certified Rolfing practitioner, Hiroyoshi Tahata and son (born in 2003). Whenever she appears in public she eschews make-up and dresses simply. During that time, she took the pseudonym "Banana" after her love of banana flowers, a name she recognizes as both "cute" and "purposefully androgynous."ĭespite her success, Yoshimoto remains a down-to-earth and obscure figure. She graduated from Nihon University's Art College, majoring in Literature. Growing up in a liberal family, she learned the value of independence from a young age. (See also 吉本芭娜娜 (Chinese).)Īlong with having a famous father, poet Takaaki Yoshimoto, Banana's sister, Haruno Yoiko, is a well-known cartoonist in Japan. Banana Yoshimoto ( よしもと ばなな or 吉本 ばなな) is the pen name of Mahoko Yoshimoto (吉本 真秀子), a Japanese contemporary writer.
